EXAMPLE TESTING


Example 1. A melodic family in Mode 1 Greek church chant, focusing on variants of the formulas D-init., G-med., and A-med

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Example 2. Mavromatis’s (2019) figure 2, modeling note-to-note probabilities

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Example 3. Mavromatis’s (2019) figure 3, modeling formula-to-formula probabilities

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Example 4. Frankie and Johnnie schema paraphrased after Stoia (2013, 206, Example 8), comparison of the first four measures of several songs representing the schema

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Example 5. Transcription of soloist’s melody sung over “Ngengele Gbaba Egwu” refrain (transcription by Jonathan Eldridge II)

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Example 6. The Prinner, High-2, and “High-1” (cf. Gjerdingen’s 2007 “la-to-sol flourish”) as a variable outline for melodic diminutions

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Example 7. Composite representation of Prinner exemplars (from Symons 2017, 74)

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Example 8. Gjerdingen’s Complete Cadence with a skeletal soprano

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Example 9. The Cudworth Cadence (after Gjerdingen 2007), a fixed surface formula embellishing the Complete Cadence

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Example 10. The Converging Cadence / Indugio variable outline

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Example 11. Analysis of excerpt from Simon Leduc, Op. 4, no. 1, mvt. 1, mm. 1–12 after Gjerdingen (2007, 290) and Rabinovitch (2019a, 9–10)

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Example 12. Emergent galant schemata in Example 11 with comments on discrepancies between Gjerdingen (2007) and our view

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Example 13. Francesco Geminiani, Sonata for Cello and Continuo, Op. 5 no. 3, mvt. 2, mm. 1–10

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Example 14. Translating Geminiani’s exposition excerpt into a soprano-skeletal string. The indication “. . .” represents non-schema-specific strings

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Example 15. Synoptic view of schemata that passed the threshold

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Example 16. Synoptic view of skeletal strings for schemata that passed the threshold

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Example 17. An interopus comparison of the 27 pieces in the sample

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Example 18. Quantz (Exposition #20), Skeleton of mm. 1–8

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Example 19. Skeleton of Exposition #17 by Locatelli

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Example 20. C. P. E. Bach, Sonata Wq. 61/2/iii, mm.1–25

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Example 21. C. P. E. Bach, Sonata Wq. 61/2/iii, outline of mm. 1–25

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Example 22. C. P. E. Bach, Sonata Wq. 61/2/i, mm. 1–24

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Example 23. C. P. E. Bach, Sonata Wq. 61/2/i, outline of mm. 1–24

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Example 24. C. P. E. Bach, Fantasy Wq 61/3, mm. 1–36

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Example 25. C. P. E. Bach, Fantasy Wq. 61/3, outline of mm. 1–36

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Example 26. Summarizing formal milestones in Wq. 61/3, mm. 1–36

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