Example 27. Fernando de las Infantas Plura Modulationum (1579), mm. 1–7., a work that demonstrates over a hundred different ways of setting the nine-note plainsong “Laudate Dominum omnes gentes” in a variety of styles and textures. Number ninety-two uses the serialized rhythm technique in fully binary subdivisions: longs, breves, semibreves, minims, and semiminims.