Published: 2017-09-01

Articles

A Voicing-Based Model for Additive Harmony

Damian Blättler
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A Tale of Three Schenkers: Analysis, Piano Pedagogy, and Performance of the Chopin Berceuse op. 57

Jim Bungert
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North Indian Classical Music and Lerdahl and Jackendoff’s Generative Theory – a Mutual Regard

David Clarke
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Embracing Ambiguity in the Analysis of Form in Pop/Rock Music, 1982–1991

Trevor De Clercq
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Ravel's Valses nobles et sentimentales and its Models

Michael Puri
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Tonal Ambiguity in Popular Music’s Axis Progressions

Mark Richards
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