• Main Navigation
  • Main Content
  • Sidebar
  • Create MTO Account
  • Login
Music Theory Online
  • MTO Home
  • Submissions
  • About
    • About the Journal
    • Editorial Team
    • Contact
  • Login
  • Create MTO Account
  1. Home
  2. Archives
  3. Vol. 27 No. 3 (2021)

Published: 2021-09-29

Articles

Macroharmonic Progressions through the Discrete Fourier Transform: An Analysis from Maurice Duruflé’s Requiem

Matthew Chiu
View

Schubert’s Large-Scale Sentences: Exploring the Function of Repetition in Schubert’s First-Movement Sonata Forms

Caitlin Martinkus
View

Emergent Modality: Minor-to-Major Progressions as “Tragic-to-Transcendent” Narratives in Brahms’s Solo Songs

Loretta Terrigno
View

The Pen as Camera: Finnissy and Overexposure

Richard Beaudoin
View

Cage’s Imitation Game: Cheap Imitation and Song Books through the Sketches

Jeff Perry
View

Material Connections: Bruce Goff, Music and Modernism Across the Arts

Benjamin Levy
View

Disco Culture and the Ritual Journey in the Soviet 1980s

Kevin Karnes
View

Giving Voice to a Foxtrot from Auschwitz-Birkenau

Patricia Hall
View

Encoding Post-Spectral Sound: Kaija Saariaho’s Early Electronic Works at IRCAM, 1982–87

Landon Morrison
View

Gender Identity and Gestural Representations in Jonathan Harvey’s String Quartet No. 2

Laura Emmery
View

Make a Submission

Make a Submission
More information about the publishing system, Platform and Workflow by OJS/PKP.