Published: 2022-10-31

Articles

Mixture Strategies: An Analytical Framework for Musical Hybridity

Bruno Alcalde
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Switching the Backbeat: The Quick Flip and Polymetric Pogo in 1980s-era Rock Music

Zachary Cairns
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Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”

Calder Hannan
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A Bevy of Biases: How Music Theory’s Methodological Problems Hinder Diversity, Equity, and Inclusion

Justin London
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Tonal Ebb, Sunken II Chords, and Text-Music Correspondences in Robert Schumann’s Lieder

Alexander Martin
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Three Audiovisual Correspondences in the Main Title for Vertigo

Scott Murphy
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Was Mesopotamian Tuning Diatonic? A Parsimonious Answer

Jay Rahn
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Integration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet

Sam Reenan
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Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10

Matthew Zeller
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The Many Paths of Decolonization: Exploring Colonizing and Decolonizing Analyses of a Tribe Called Red’s “How I Feel”

Robin Attas
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Commentaries

Conference Report: "Dialogues: Analysis and Performance"

Ben Duinker