Published: 2019-06-20

Articles

Improvisatory exercises as a key to analyze group dynamics in collective improvisation:The case of the Gruppo di Improvvisazione Nuova Consonanza

Valentina Bertolani
HTML

What is Musical Meaning? Theorizing Music as Performative Utterance

Andrew Chung
HTML

Harmony in Elliott Carter's Late Music

John Link
HTML

Middleground Structure in the Cadenza to Boulez's Eclat

Catherine C. Losada
HTML

Extreme Hardcore Punk and the Analytical Challenges of Rhythm, Riffs, and Timbre in Punk Music

David Pearson
HTML

Comprehensibility and Ben Johnston's String Quartet No. 9

Laurence Willis
HTML

Introduction to the Symposium on Kendrick Lamar's To Pimp a Butterfly"

Philip A Ewell
HTML

Music Theory as Social Justice: Pedagogical Applications of Kendrick Lamar's To Pimp a Butterfly

Robin Attas
HTML

We Gon' Be Alright? The Ambiguities of Kendrick Lamar's Protest Anthem

Noriko Manabe
HTML

This Flow Ain't Free: Generative Elements in Kendrick Lamar's To Pimp a Butterfly

John Mattessich
HTML

"I got a bone to pick": Formal Ambivalence and Double Consciousness in Kendrick Lamar's "King Kunta"

James Bungert
HTML

Lyric, Rhythm, and Non-alignment in the Second Verse of Kendrick Lamar’s “Momma”

Mitchell Ohriner
View