Published: 2020-10-21

Articles

(Per)forming Open Form: A Case Study Using Earle Brown's Novara

Drake Andersen
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Continuous Question-Answer Pairs

Yosef Goldenberg
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The Cultural Significance of Timbre Analysis: A Case Study in 1980s Pop Music, Texture, and Narrative

Megan L. Lavengood
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Music Theory for the “Weaker Sex”: Oliveria Prescott’s Columns for The Girl’s Own Paper

Rachel Lumsden
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Resolving Tensions between Outer Form and Inner Form in Fugue: A Case Study of J. S. Bach's Fugue in D minor (WTC I)

Sarah Marlowe
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"All of the rules of jazz": Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation

Brian Miller
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Harmonizing Chorales Systematically: A Translation of G. H. Stölzel’s Kurzer und gründlicher Unterricht (Brief and Thorough Instruction), ms. ca. 1719–49

Derek Remes
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Prolongational Closure in the Lieder of Fanny Hensel

Stephen Rodgers, Tyler Osborne
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Compositional Process and Technique in Happy Rain on a Spring Night (2004)

Chen Yi
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The Concept of Shi: Chinese Aesthetics and Happy Rain on a Spring Night (2004)

Nancy Yunhwa Rao
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Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)

John Roeder
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Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002)

Marianne Kielian-Gilbert
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Commentaries

Introduction: The Music of Chen Yi

Jennifer Bain
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