The Functions of Continuous Processes in Contemporary Electronic Dance Music

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Jeremy Walter Smith

Abstract

This article discusses the functions of continuous processes in contemporary electronic dance music (EDM), providing an analytical framework for discussing their structural and aesthetic roles in this repertoire. Continuous processes are musical gestures with continuous changes to musical parameters, rather than discrete, “step-by-step” ones. Examples include pitch slides (glissandos), crescendos, fade ins, accelerandos, and filter sweeps. Continuous processes in this repertoire are created with “continuous controllers” such as sliders and knobs, or are programmed into tracks with “automation curves.” Functionally, continuous processes often provide sonic instructions for dancers. They can be used by creators at strategic times to provide ornamentation, orientation (often accompanied by intensification or de-intensification), or disorientation (usually in breakdown sections). This article adds to existing analytical scholarship by drawing attention to the many roles of continuous processes in EDM, and showing how they contribute to the emotional waves experienced when listening to this music.

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