Published: 2021-06-18

Articles

A Cognitive Basis for Choosing a Solmization System

Gary Karpinski
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What Are the Truly Aural Skills?

Timothy Chenette
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Developing Musical Imagery: Contributions from Pedagogy and Cognitive Science

Sarah Gates
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Rethinking Aural Skills Instruction through Cognitive Research: A Response

Elizabeth Marvin
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Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan

Scott Charles Schumann
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Flexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel

Antares Boyle
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The Functions of Continuous Processes in Contemporary Electronic Dance Music

Jeremy Walter Smith
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“War and the Musical Grotesque in Crumb’s ‘When Johnny Comes Marching Home.’”

Abigail Shupe
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Melody on the Threshold in Spectral Music

James Donaldson
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Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin’s Music

Joshua W Hahn
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Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

Mariusz Kozak
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Reviews

Music Theory's Visceral Turn

Stephen Kovaciny
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