Music Theory Online

MTO

The Online Journal of the Society for Music Theory


Volume 5, Number 1 January, 1999
Copyright � 1999 Society for Music Theory



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in theory only
Integral


Center for Computer Assisted Research in the Humanities

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Announcement

Computing in Musicology Volume 11, entitled Melodic Similarity: Concepts, Procedures, and Applications, is being co-published by CCARH and the MIT Press.

Copies may be obtained from any vendor who handles MIT Press publications, or you may order directly at : mitpress-orders@mit.edu.

Back issues of Computing in Musicology (Vols. 3-10)--as well as the many other items offered--will continue to be available directly through CCARH. Please contact CCARH for an order form.
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Highlights of Back Issues

Vol. 3 (1987)--Music encoding and printing systems. Many examples of computer generated scores.

Vol. 4 (1988)--Bibliographical databases of music research. More examples of computer generated scores.

Vol. 5 (1989)--Music Software for the visually impaired. Music data and OCR. More computer generated scores.

Vol. 6 (1990)--Computational study of medieval and Renaissance repertories. Dance notation. Printing software.

Vol. 7 (1991)--Fractal paradigms in composition and analysis. Simulation of historical repertories. More printing.

Vol. 8 (1992)--Studies of Melody, Harmony, Counterpoint, Rhythm, etc. Music research and "the net." Printing.

Vol. 9 (1993-94)--1st published description of CCARH's MuseData databases. Survey of OCR, printing software.

Vol. 10 (1995-96)--Emphasis on analytical applications. Optimizing music data storage for high speed searches.

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Special on Computing in Musicology, Volumes 3 through 10!  While supplies last!

Full set: $50
Any Six: $40
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Any Two: $20

Single Titles are available for $15 each.
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in theory only
volume 13, numbers 1-4

Contents

"Lehrdahl and Jackendoff's Strong Reduction Hypothesis and the Limits of Analytical Description"
Justin London

"The Defining Moment: The Thema as Relational Nexus in Webern's Op. 27"
Tina Koivisto

"An Introduction to Westergaard's Tonal Theory"
Stephen Peles

"Coming to Terms: Speaking of Phrase, Cadence and Form"
Janet Schmalfeldt

"We Won't Get Fooled Again: Rock Music and Musical Analysis"
John Covach

"The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model" by Eugene Narmour
Stephen W. Smoliar

"Response to Buchler"
William Thomson

"Rejoinder to Thomson"
Michael Buchler

Subscriptions are $20 per volume for individuals and $30 for institutions; for subscriptions mailed to addresses outside the US, add $8. To subscribe, contact: William Lake, College of Musical Arts, Bowling Green State University, Bowling Green, OH 43403.


Integral

Integral is a juried periodical of articles and reviews on theory, analysis, criticism, and their relationship to composition and performance. It is published annually during the summer by the graduate theory students at the Eastman School of Music.

Current editorial board members include Kofi Agawu, Bo Alphonce, David Beach, Allen Cadwaller, William Caplin, Michael Cherlin, Robert
Gjerdingen, Patrick McCreless, Andrew Mead, Benito Rivera, and Robert Wason.

Volume 11 (forthcoming June 1999):

David Lefkowitz "Perspectives on Order, Disorder, Combinatoriality, and Tonality in Schoenberg's Opus 33a and 33b Piano Pieces"

David Lewin "Conditions Under Which, in a Commutative GIS, Two 3-Element Sets Can Span the Same Assortment of GIS-Intervals; Notes on the Non-Commutative GIS in this Connection"

Joseph Straus "A Strategy of Large-Scale Organization in Stravinsky's Late Music"

Dimitri Tymoczko "Four Jazz Scales"

Martha Hyde "Review of The Music of Ruth Crawford Seeger by Joseph Straus"

Harald Krebs "Review of A Reader's Guide to the Chopin Preludes by Jeffrey Kresky"

David Neumeyer "Review of Analysis of Tonal Music: A Schenkerian Approach by Allen Cadwaller and David Gagne"

Volume 12 (forthcoming 1999) will include contributions by Edward Gollin, Marta Grabocz, Gretchen Horlacher, Henry Klumpenhouwer, and Shaugn O'Donnell, along with other article and reviews.

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View an index of back issues on-line at http://theory.esm.rochester.edu/integral
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Subscription Information

Single Volume: $14 ($12 for students, $18 for institutions)
Back issues (vols. 1-10): $12 ($10 for students, $16 for institutions)
Complete back issues: $108 ($90 for students, $144 for institutions)

Prepayment of orders is appreciated but not required. Checks (in U.S. dollars) should be made payable to Integral. Outside North America,
please add $4.00 postage per volume (up to $12.00). Please allow 4-6 weeks for delivery.

Until June 1, 1999: place prepaid orders for future volumes (vols. 11, 12, etc.) at back-issue prices!

Send subscription requests to:
Subscriptions Manager, Integral
Eastman School of Music
26 Gibbs Street
Rochester, NY, USA, 14604


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This page prepared by
Eric J. Isaacson, General Editor
14 April 2003