Music Theory Online

The Online Journal of the Society for Music Theory

Volume 6, Number 1 January, 2000 ISSN 1067-3040
Copyright � 2000 Society for Music Theory

General Editor
Eric Isaacson (Indiana University)
Editorial Board Reviews Editor
Jane Piper Clendinning (Florida State University) Robert Gjerdingen (Northwestern University)
Henry Klumpenhouwer (University of Alberta) mto-talk Manager
Patrick McCreless (Yale University) Jay Rahn (York University)
Catherine Nolan (University of Western Ontario) MTO Manager
Larry Zbikowski (University of Chicago) Ichiro Fujinaga (Johns Hopkins University)

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Table of Contents

1. Articles

The essays in this issue were presented on November 13, 1999, as an International Keynote Symposium during the Plenary Session at the Society for Music Theory's 22nd meeting in Atlanta.

Nicolas Mee�s (Universit� de Paris--Sorbonne), Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions
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Willie Anku (University of Ghana), Circles and Time: A Theory of Structural Organization of Rhythm in African Music
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Jos� Luis Martinez (Catholic University of S�o Paolo), Semiotics and the Art Music of India  
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Danuta Mirka (Szymanowski Academy, Katowice, Poland), The Structural Role of Timbre and Texture in the Music of Penderecki    
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Kofi Agawu (Princeton University), Response

2. Music Theory Internationalglobe1.gif (3608 bytes)

Tamara W. Roemjantsew, Report on Two Conferences in the Netherlands

3. Reviews

J. Daniel Jenkins, Review of David Schiff, The Music of Elliott Carter. 2nd ed. Ithaca: Cornell University Press, 1998.

Jeffrey Perry, Review of Allen Forte, The Atonal Music of Anton Webern. New Haven: Yale University Press, 1999.
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Robert Rawlins, Review of Mark Levine, The Jazz Theory Book. Petaluma, Calif.: Sher Music, 1995.

Roger Vetter, Review of Michelle Kisliuk, Seize the Dance: BaAka Musical Life and the Ethnography of Performance. New York: Oxford University Press, 1998.

4. Announcements

5. Employment

6. New Dissertations

7. Communications

Editor's Comments

Copyright Statement

Copyright � 2000 by the Society for Music Theory.
All rights reserved.

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This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

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This page prepared by
Eric J. Isaacson, General Editor
18 November 2002