| Author |
Title |
Institution |
Completed |
Acevedo, Stefanie
| Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and their Mental Representations | Yale University | May 2020 | Barna, Alyssa
| Examining Contrast in Popular and Rock Music | Eastman School of Music | June 2019 | Blustein, Nathan B
| Through Arrangements of Shadows: Experiences of Reprise in Stephen Sondheim’s Leitmotivic Musicals | Indiana University | August 2020 | DeVlieger, Dana L
| Promoting Creativity: How the Use of Music Analysis Affects Value Judgments in Copyright Litigation | University of Minnesota | June 2020 | Drozzina, Aleksandra
| Schnittke, Gubaidulina, and Pärt: Religion and Spirituality during the Late Thaw and Early Perestroika | Louisiana State University | May 2020 | Evans, James E.
| Fluid Dynamics: Representations of Water in Music | University of Kentucky | February 2021 | Falch, Niels
| From Oy to Joy: Jewish Musical Style in American Popular Songs, 1892-1945 | University of Groningen | May 2020 | Ferguson, Brent A
| Intertextuality in Movie Music Videos | University of Kansas | June 2020 | Fitzpatrick, Jacob D
| Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance | University of Wisconsin-Madison | April 2020 | Lam, Nathan L.
| RELATIVE DIATONIC MODALITY IN EXTENDED COMMON-PRACTICE MUSIC | Indiana University, Bloomington | July 2019 | Laurence Sinclair Willis
| When Materials Collide: Formal Interplay in Teernary Piano Works of the Late Nineteenth Century | McGill University | November 2019 | Lukas Gabric
| Coltrane Plays the Blues: Multi-Level Coherence and Stylistic Tendencies | The CUNY Graduate Center | September 2020 | Moreira, Daniel
| TEXTURAL DESIGN: A Compositional Theory for the Organization of Musical Texture | Federal University of Rio de Janeiro | October 2019 | Obluda, Daniel C
| Topics in Hollywood Scores: Using Topic Theory to Expand on Recent Neo-Riemannian Analyses of Film Music | University of Colorado Boulder | May 2021 | Pymm, John M
| Narrative Trails in the Speech-Based Music of Steve Reich | University of Southampton | July 2013 | Remeš, Derek K.
| Thoroughbass, Chorale, and Fugue: Teaching the Craft of Composition in J. S. Bach's Circle | Hochschule für Musik Freiburg (Germany) | July 2020 | Roy, Adam J.
| Motivic Metamorphosis: Modelling Intervallic Transformations in Schoenberg’s Early Works | Western University | February 2021 | Siu, Joseph Chi-Sing
| Phrase-Rhythmic Norms in Haydn’s and Mozart’s Piano Sonata Expositions | Eastman School of Music | April 2020 | Sivy, Robert J.
| Exposing Corruption in Progressive Rock: A Semiotic Analysis of Gentle Giant's The Power and the Glory | University of Kentucky | November 2019 | Smither, Sean R
| Conceptualizing Tunes: Avant-textes, Referents, and the Analysis of Musical Structure in Jazz | Rutgers University | May 2020 | Steven D. Mathews
| Getting to the Crux: The Inner/Outer-Form Dynamic and the Type 2 Sonata in Select Symphonic Movements by Mozart, Haydn, and J. C. Bach | University of Cincinnati | March 2021 | Syroyid Syroyid, Bohdan
| Analysis of Silences in Music: Theoretical Perspectives, Analytical Examples from Twentieth-Century Music, and In-Depth Case Study of Webern’s Op. 27/iii
| KU Leuven | July 2020 | Wiehl, Lindsey L
| The Bassoon Music of Gordon Jacob: An Analysis of the Concerto for Bassoon and Strings and the Partita for Solo Bassooon | Ball State University | May 2020 |
