| Author |
Title |
Institution |
Completed |
Acevedo, Stefanie
| Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and their Mental Representations | Yale University | May 2020 | Blustein, Nathan B
| Through Arrangements of Shadows: Experiences of Reprise in Stephen Sondheim’s Leitmotivic Musicals | Indiana University | August 2020 | DeVlieger, Dana L
| Promoting Creativity: How the Use of Music Analysis Affects Value Judgments in Copyright Litigation | University of Minnesota | June 2020 | Drozzina, Aleksandra
| Schnittke, Gubaidulina, and Pärt: Religion and Spirituality during the Late Thaw and Early Perestroika | Louisiana State University | May 2020 | Falch, Niels
| From Oy to Joy: Jewish Musical Style in American Popular Songs, 1892-1945 | University of Groningen | May 2020 | Ferguson, Brent A
| Intertextuality in Movie Music Videos | University of Kansas | June 2020 | Fitzpatrick, Jacob D
| Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance | University of Wisconsin-Madison | April 2020 | Geary, David
| Analyzing Drums and Other Beats in Twenty-First Century Popular Music | Indiana University | December 2019 | Hoch, Matthew
| "The Structural and Dramatic Role of the Piano in Richard Strauss's Krämerspiegel, Op. 66" | New England Conservatory | December 2006 | Lam, Nathan L.
| RELATIVE DIATONIC MODALITY IN EXTENDED COMMON-PRACTICE MUSIC | Indiana University, Bloomington | July 2019 | Laurence Sinclair Willis
| When Materials Collide: Formal Interplay in Teernary Piano Works of the Late Nineteenth Century | McGill University | November 2019 | Lukas Gabric
| Coltrane Plays the Blues: Multi-Level Coherence and Stylistic Tendencies | The CUNY Graduate Center | September 2020 | Mayr, Desirée J
| The Identification of Developing Variation in Johannes Brahms OP.78 and Leopoldo Miguéz OP.14 Violin Sonatas Through Derivative Analysis
| Federal University of Rio de Janeiro | July 2018 | Moreira, Daniel
| TEXTURAL DESIGN: A Compositional Theory for the Organization of Musical Texture | Federal University of Rio de Janeiro | October 2019 | Remeš, Derek K.
| Thoroughbass, Chorale, and Fugue: Teaching the Craft of Composition in J. S. Bach's Circle | Hochschule für Musik Freiburg (Germany) | July 2020 | Siu, Joseph Chi-Sing
| Phrase-Rhythmic Norms in Haydn’s and Mozart’s Piano Sonata Expositions | Eastman School of Music | April 2020 | Smither, Sean R
| Conceptualizing Tunes: Avant-textes, Referents, and the Analysis of Musical Structure in Jazz | Rutgers University | May 2020 | Syroyid Syroyid, Bohdan
| Analysis of Silences in Music: Theoretical Perspectives, Analytical Examples from Twentieth-Century Music, and In-Depth Case Study of Webern’s Op. 27/iii
| KU Leuven | July 2020 | Warrenburg, Lindsay A.
| Subtle Semblances of Sorrow: Exploring Music, Emotional Theory, and Methodology | Ohio State University | December 2019 | White, Christopher Wm.
| Some Statistical Properties of Tonality, 1650-1900 | Yale University | May 2014 | Wiehl, Lindsey L
| The Bassoon Music of Gordon Jacob: An Analysis of the Concerto for Bassoon and Strings and the Partita for Solo Bassooon | Ball State University | May 2020 |
