Music Theory Online

A Journal of Criticism, Commentary, Research, and Scholarship

ISSN 1067-3040

Volume 7, Number 2, April 2001
Copyright � 2001 Society for Music Theory

Eric Isaacson (Indiana University)
Editorial Board Reviews Editor
Jane Piper Clendinning (Florida State University) Jack Boss (University of Oregon)
Patrick McCreless (Yale University) mto-talk Manager
Catherine Nolan (University of Western Ontario) Jay Rahn (York University)
John Snyder (University of Houston) MTO Manager
Larry Zbikowski (University of Chicago) Ichiro Fujinaga (Johns Hopkins University)
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Table of Contents

Editor's Comments


Nicholas Cook (University of Southampton)

"Between Process and Product: Music and/as Performance"

[With Frames] [Without Frames]


New Dissertations

  • Blom-Smith, Richard N. W. "A Theory of Accent in Tonal Music with an Assessment of Selected Modern Accentologies." University of London, 1994.
  • Campbell, Edward. "Boulez and Expression: A Deleuzoguattarian Approach." University of Edinburgh, 2000.
  • Rogers, Nancy M. "The Role of Verbal Encoding in Memory for Musical Timbre and Pitch Patterns." University of Rochester, 2000.
  • Scrivener, Julie A. "Representations of Time and Space in the Player Piano Studies of Conlon Nancarrow." Michigan State University, 2002.

New Books

  • Hisama, Ellie M. Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon. Cambridge University Press.
  • Wagner, Nike. The Wagners: The Dramas of a Musical Dynasty. Princeton University Press.


Calls for Papers

Conference Announcements

Journal-Related Announcements

Other Announcements


Copyright Statement

Copyright � 2001 by the Society for Music Theory.
All rights reserved.

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This page prepared by
Eric J. Isaacson, Editor
18 November 2002