MTO

Music Theory Online

ISSN 1067-3040

Please note: To post to mto-talk, you must first subscribe to the mto and mto-talk lists

Volume 12 Number 1, February 2006
Copyright 2006 Society for Music Theory
Table of Contents

Articles


Eliot Ghofur Woodruff
(University of Canterbury)
Metrical Phase Shifts in Stravinsky's The Rite of Spring
[With Frames] [Without Frames]
Avior Byron
(Royal Holloway, University of London and Bar-Ilan University)
The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered
[With Frames] [Without Frames]
Jeannie Ma. Guerrero
(Eastman School of Music)
Serial Intervention in Nono's Il canto sospeso
[With Frames] [Without Frames]
Guy Capuzzo
(University of North Carolina at Greensboro)
Pat Martino's The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory

Employment Opportunities

New Books

  • Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951)

Book Review


Peter Schubert
(McGill University)
Review of David Yearsley, Bach and the Meanings of Counterpoint
(Cambridge: Cambridge University Press, 2002)

Announcements

Event Announcements

Other Announcements

Please direct all queries to the MTO Editor or to the MTO Manager

MTO PERSONNEL
Editor
mto-editor@societymusictheory.org
Timothy Koozin (University of Houston)
Reviews Editor
mto-reviews@societymusictheory.org
Jeffrey Perry (Louisiana State University)
Editorial Board
Michael Buchler (Florida State University) Norman Carey (Eastman School of Music)
Marion Guck (University of Michigan) Rebecca Leydon (Oberlin College)
Richard Parncutt (University of Graz, Austria) Peter Schubert (McGill University)
Managing Editor
Brent Yorgason (Indiana University)
List Managers
Jay Rahn (York University): mto-talk Manager Ichiro Fujinaga (McGill University): MTO Manager

LOCKSS system has permission to collect, preserve, and serve this Archival Unit

Copyright Statement

Copyright 2006 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

Return to top

Prepared by Brent Yorgason, Managing Editor
Updated 06 April 2006