Society for Music Theory

Volume 14 Number 1, March 2008

Copyright © 2008 Society for Music Theory

Editor’s Message

Articles

Body, Forces, and Paths: Metaphor and Embodiment in Jean-Philippe Rameau’s Conceptualization of Tonal Space
14.1.1
        Golan Gur (Ludwig Maximilian University and Humboldt University)
“At times even Homer nods off”: Heinrich Christoph Koch’s Polemic against Joseph Haydn
14.1.2
        Felix F. Diergarten (Musikhochschule Freiburg)
Common-tone Tonality in Italian Romantic Opera: An Introduction
14.1.3
        William Rothstein (Queens College and CUNY Graduate Center)

Commentaries

Reconsidering Klumpenhouwer Networks One More Time: A Response to Eight Responses
14.1.4
        Michael Buchler (Florida State University)
Hysteria at the Musical Surface
14.1.5
        Roger Mathew Grant (University of Pennsylvania)
Commentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet
14.1.6
        Eric Wen (Curtis Institute of Music)

Reviews

Review of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music (Harvard University Press, 2003)
14.1.7
        David B. Easley (Florida State University)
Review of Ray Allen and Ellie M. Hisama eds., Ruth Crawford Seeger’s Worlds: Innovation and Tradition in Twentieth-Century American Music (University of Rochester Press, 2007)
14.1.8
        David Nicholls (University of Southampton)
Review of Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (Oxford University Press, 2003)
14.1.9
        Jonathan Pieslak (The City College of New York)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated May 29 2014

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