Society for Music Theory

Volume 17 Number 4, December 2011

Copyright © 2011 Society for Music Theory

Editor’s Message

Articles

How to Perform Impossible Rhythms
17.4.1
        Julian Hook (Indiana University)
Exploring Tetrachordal Voice-Leading Spaces Within and Around the MORRIS Constellation
17.4.2
        Mark Sallmen (University of Toronto)
Scalar Shift in Popular Music
17.4.3
        David Temperley (Eastman School of Music)

Essay

Reading Adorno’s Reading of the Rachmaninov Prelude in C-sharp Minor: Metaphors of Destruction, Gestures of Power
17.4.4
        Karen M. Bottge (University of Kentucky)

Reviews

Review of Sabine Feisst, Schoenberg’s New World: The American Years (Oxford University Press, 2011)
17.4.5
        Michael Cherlin (University of Minnesota)
Review of Lee Rothfarb, August Halm: A Critical and Creative Life in Music (University of Rochester Press, 2009)
17.4.6
        Thomas Christensen (The University of Chicago)
Review of Dermot Gault, The New Bruckner: Compositional Development and the Dynamics of Revision (Surrey, England: Ashgate, 2011)
17.4.7
        Miguel J. Ramirez (Clarksville, TN)
Review of Gretchen Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky (New York: Oxford University Press, 2011)
17.4.8
        Andrew Westerhaus (The University of Chicago)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated December 20 2011

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