Society for Music Theory

Volume 18 Number 2, June 2012

Copyright © 2012 Society for Music Theory

Editor’s Message

Articles

Timbre as Differentiation in Indie Music
18.2.1
        David K. Blake (SUNY-Stony Brook)
Scriabin and the Possible
18.2.2
        Anna M. Gawboy (Ohio State University) and Justin Townsend (Northeastern University)
Between Romanticism and Modernism and Postmodernism: George Crumb’s Black Angels
18.2.3
        Blair Johnston (Indiana University)
Clean as a Whistle: Timbral Trajectories and the Modern Musical Sublime
18.2.4
        Rebecca Leydon (Oberlin College)

Reviews

Review of Timothy Johnson, John Adams’s “Nixon in China”: Musical Analysis, Historical and Political Perspectives (Ashgate, 2011)
18.2.5
        Kyle Fyr (University of Northern Colorado)
Review of Patricia Hall, Berg’s “Wozzeck” (Oxford University Press, 2011)
18.2.6
        Dave Headlam (Eastman School of Music)
Review of Evan Jones, ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009)
18.2.7
        Mariusz Kozak (University of Chicago)
Review of David Damschroder, Harmony in Schubert (Cambridge University Press, 2010)
18.2.8
        Gordon Sly (Michigan State University)

Conference Report

“Brahms in the New Century”: A Conference Report
18.2.9
        Heather Platt (Ball State University)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated November 27 2012

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