Society for Music Theory

Volume 19 Number 1, March 2013

Copyright © 2013 Society for Music Theory

Editor’s Message

Articles

Tripartite Structures in Schoenberg’s A Survivor from Warsaw
19.1.1
        Joe R. Argentino (McMaster University)
Eternity in Each Moment: Temporal Strategies in Ravel’s “Le Gibet”
19.1.2
        Jessie Fillerup (University of Richmond)
Radiohead’s “Pyramid Song”: Ambiguity, Rhythm, and Participation
19.1.3
        Nathan D. Hesselink (University of British Columbia)
Songs for Hands: Analyzing Interactions of Sign Language and Music
19.1.4
        Anabel Maler (University of Chicago)
Beyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 80
19.1.5
        René Rusch (McGill University)
What Modular Analysis Can Tell Us About Musical Modeling in the Renaissance
19.1.6
        Peter Schubert (McGill University)
        Marcelle Lessoil-Daelman (McGill University)

Reviews

Review of Steve Larson, Musical Forces: Motion, Metaphor, and Meaning in Music (Indiana University Press, 2012)
19.1.7
        Arnie Cox (Oberlin Conservatory of Music)
Review of Elliott Antokoletz and Marianne Wheeldon eds., Rethinking Debussy (Oxford University Press, 2011)
19.1.8
        August Sheehy (University of Chicago)
Review of Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola (University of Rochester Press, 2010)
19.1.9
        Alan Theisen (Mars Hill College)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated March 30 2013

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