Volume 24 Number 3, September 2018

Copyright © 2018 Society for Music Theory


Editor’s Message

Articles

Expressive Meaning and the Empirical Analysis of Musical Gesture: The Progressive Exposure Method and the Second Movement of Beethoven’s Pathétique Sonata
24.3.1
        Joshua D. Albrecht (The University of Mary Hardin-Baylor)
Schubert’s Development of Harmonic Motives in his Early String Quartets
24.3.2
        Brian C. Black (The University of Lethbridge)
Reciprocal Interpretations of Music and Painting: Representation Types in Schuller, Tan, and Davies after Paul Klee
24.3.3
        Orit Hilewicz (Eastman School of Music)
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen
24.3.4
        Olivia R. Lucas (Victoria University of Wellington)
What Can the Temporal Structure of Auditory Perception Tell Us about Musical “Timelessness”?
24.3.5
        Jason D. K. Noble (McGill University)

Essays

Introduction: Agency and Musical Performance
24.3.6
        Eugene Montague (The George Washington University)
Understanding Agency from the Decks to the Dance Floor
24.3.7
        Tami Gadir (University of Oslo)
Motor Constraints Shaping Musical Experience
24.3.8
        Rolfe Inge Godøy (University of Oslo)
Facilitative Agency in Performance
24.3.9
        Roger C. Graybill (New England Conservatory)
Performers as Creative Agents; or, Musicians Just Want To Have Fun
24.3.10
        Edward Klorman (McGill University)
Performing Agency: A Response
24.3.11
        Lawrence M. Zbikowski (University of Chicago)

Reviews

Review of Daniel Chua, Beethoven & Freedom (Oxford University Press, 2017), and Naomi Waltham-Smith, Music and Belonging Between Revolution and Restoration (Oxford University Press, 2017)
24.3.12
        Craig Comen (University of Virginia)
Review of David Damschroder, Tonal Analysis: A Schenkerian Perspective (W.W. Norton, 2017)
24.3.13
        Benjamin K. Wadsworth (Kennesaw State University)

Reports

SMT’s Interest Groups: A Synopsis
24.3.14
        Daphne Leong (University of Colorado Boulder)
Fifth Conference on Analytical Approaches to World Music, and Eighth Folk Music International Workshop
24.3.15
        Grant Sawatzky (University of British Columbia)




SMT

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Updated September 21 2018