| Author |
Title |
Institution |
Completed |
Akpakpan. Johnson James
| Contemporary Compositional Approach To The Creation Of Ekpo Spirit-Manifest Music Of The Annang People | Department of Music, Faculty of Arts Nnamdi Azikiwe University, Awka | December 2011 | Andrew I. Aziz
| In Name Only: The Interaction of Title and Genre in the Sonata Forms of Debussy and Ravel
| Eastman School of Music, University of Rochester | February 2013 | Bisciglia, Sebastiano
| On Row-Class Equivalence Classes | University of Rochester | April 2013 | Easley, David B.
| "It's not my imagination, I've got a gun on my back!": Style and Sound in Early American Hardcore Punk, 1978–1983 | Florida State University | April 2011 | Eng, Clare Sher Ling
| Motif and Closure in Twentieth-Century Music: Bartók, Britten and Fauré | Yale University | March 2012 | Lin, Wei-Chieh
| In Search of Time: Musical Time and Form in Dérive 2 by Pierre Boulez | The Juilliard School | May 2012 | Manning, David J.
| Harmony, Tonality and Structure in Vaughan Williams's Music | Cardiff University | December 2003 | Mikawa, Makoto
| Anarchy in the Unity: Compositional and Aesthetic Tensions
in Mauricio Kagel’s Antithese für einen Darsteller
mit elektronischen und öffentlichen Klängen (1962) | University of Western Ontario | November 2013 | Tan, Daphne
| Ernst Kurth at the Boundary of Music Theory and Psychology | University of Rochester | April 2013 | Tuzun, Tolga
| CONTEXTUAL TRANSFORMATIONS IN TIMBRAL SPACES | Graduate Center, The City University of New York | September 2009 | Westerhaus, Andrew J
| Stravinsky and the Ludic Metaphor | University of Chicago | December 2012 |