Dissertation Index


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Author Title Institution Completed
Ariyan, Ashot
Bilgamesh, un ballet-opéra en deux actes
Symbiose d’un genre oublié, une mythologie archaïque et une langue morte
University of MontrealDecember 2012
Baker, David J
Modeling Melodic DictationLouisiana State UniversityAugust 2019
BOLAND, Marguerite M
Form and Dialectical Opposition in Elliott Carter's Compositional AestheticAustralian National UniversityDecember 2017
Chung, Andrew J
Music as Performative Utterance: Towards a Unified Theory of Musical Meaning with Applications in 21st-Century Works and Social LifeYale UniversityMarch 2019
Guez, Jonathan
Schubert's Recapitulation ScriptsYale UniversityMarch 2015
Hudson, Stephen S.
Feeling Beats and Experiencing Motion: A Construction-Based Theory of MeterNorthwestern UniversityMay 2019
Jakubowski, Joseph R.
Between Concept and Perception: Cognition, Experience, and Form in Spectral MusicWashington University in St. LouisMay 2019
Jedlicka, Jason R.
Interpreting Steve Reich\'s Later Music (2007-2012)Indiana UniversityNovember 2018
Lett, Stephen
The Psychedelic Listener: Theorizing Music in Therapeutic PracticeUniversity of MichiganMay 2019
Lewis, Kate G.
Mothers and Sisters: Instrument and Idiom in the Music of Maybelle Carter, Memphis Minnie and Sister Rosetta TharpeUniversity of SurreyAugust 2018
Louden, Sarah J
Cross-Sensory Perception in Music and Visual Media: A Neurocognitive Approach to Multimedia CounterpointUniversity at Buffalo SUNYApril 2018
Mosher, David R.
Implicit Learning As A Means Of Tonal Jazz Pitch-Listening Skills AcquisitionUniversity of Massachusetts AmherstNovember 2018
Sachania, Millan
The Arrangements of Leopold Godowsky: An Aesthetic, Historical, and Analytical StudyUniversity of Cambridge, EnglandJuly 1997
Schubert, Joseph E.
The Solo Organ Works of Jean-Jacques Grunenwald:
Style Analysis and Context within the Twentieth-century French Organ Culture
Claremont Graduate UniversityOctober 2018


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