Volume 18 Number 3, September 2012

Copyright © 2012 Society for Music Theory


Editor’s Message

Articles

Festschrift for Steve Larson

Guest Editors’ Introduction: “The More Questions, The Better”
18.3.1
        Stephen Rodgers (University of Oregon)
        Henry Martin (Rutgers University)
        Keith Waters (University of Colorado Boulder)

1. Musical Forces

Musical Forces and Interpretation: Some Thoughts on a Measure in Mahler
18.3.2
        Matthew L. BaileyShea (University of Rochester)
Musical Forces and Agential Energies: An Expansion of Steve Larson’s Model
18.3.3
        Robert S. Hatten (University of Texas at Austin)

2. Jazz

Applying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach
18.3.4
        David J. Heyer (University of Oregon)
“Possible Paths”: Schemata of Phrasing and Melody in Charlie Parker’s Blues
18.3.5
        Stefan C. Love (University of Chicago)
Charlie Parker and “Honeysuckle Rose”: Voice Leading, Formula, and Motive
18.3.6
        Henry Martin (Rutgers University-Newark)
Schenker and the Tonal Jazz Repertory: A Response to Martin
18.3.7
        Mark McFarland (Georgia State University)

3. Extensions

Ambiguity of Tonal Meaning in Chopin’s Prelude op. 28, no. 22
18.3.8
        Alison Hood (National University of Ireland Maynooth)
Ambiguity: Another Listen
18.3.9
        Gary S. Karpinski (University of Massachusetts Amherst)
Other Good Bridges: Continuity and Debussy’s “Reflets dans l’eau”
18.3.10
        Keith Waters (University of Colorado Boulder)

4. Book Chapter

Expressive Meaning and Musical Structure, Chapter 1 of Schenkerian Analysis: Pattern, Form, and Expressive Meaning
18.3.11
        Steve Larson (University of Oregon)

5. Compositions

Introduction

Wordless Carol
18.3.12
        Robert S. Hatten (University of Texas at Austin)
Pensieri
18.3.13
        Henry Martin (Rutgers University-Newark)
Pie Jesu
18.3.14
        Tim S. Pack (University of Oregon)
Not So Far Away
18.3.15
        Stephen Rodgers (University of Oregon)

Reviews

Review of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012)
18.3.16
        Vasili Byros (Northwestern University)
Review of Suzannah Clark, Analyzing Schubert (Cambridge University Press, 2011)
18.3.17
        Kristina Muxfeldt (Indiana University)
Review of Steven Rings, Tonality and Transformation (Oxford University Press, 2011)
18.3.18
        Robert Peck (Louisiana State University)
Review of Richard Cohn, Audacious Euphony: Chromaticism and the Triad’s Second Nature (Oxford University Press, 2012)
18.3.19
        Jason Yust (Boston University)



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