Volume 18 Number 4, December 2012

Copyright © 2012 Society for Music Theory


Editor’s Message

Articles

Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum
18.4.1
        Timothy K. Chenette (University of Massachusetts Amherst)
Rethinking Octatonicism: Views from Stravinsky’s Homeland
18.4.2
        Philip A. Ewell (Hunter College and CUNY Graduate Center)
The Interruption-Fill and Corollary Procedures
18.4.3
        Yosef Goldenberg (The Hebrew University of Jerusalem and the Jerusalem Academy of Music and Dance)
Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1
18.4.4
        Eugene Montague (The George Washington University)
Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith
18.4.5
        Rob Schultz (University of Massachusetts Amherst)
Three Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8); The Rake’s Progress, Act III, Scene 3 (“In a foolish dream”); Requiem Canticles, “Exaudi”
18.4.6
        Joseph N. Straus (Graduate Center, City University of New York)
Directional Tonality in Schumann’s Early Works
18.4.7
        Benjamin K. Wadsworth (Kennesaw State University)

Reviews

Review of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011)
18.4.8
        Chelsea Burns (University of Chicago)
Review of Edward Gollin and Alexander Rehding eds., The Oxford Handbook of Neo-Riemannian Theories (Oxford University Press, 2011)
18.4.9
        Jonathan Kochavi (Swarthmore College)
Review of Vincent P. Benitez, The Words and Music of Paul McCartney: The Solo Years (Praeger, 2010); Ian Inglis, The Words and Music of George Harrison (Praeger, 2010); and Ben Urish and Ken Bielen, The Words and Music of John Lennon (Praeger, 2007)
18.4.10
        David Thurmaier (Florida Gulf Coast University)



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