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SMT
Volume 23 Number 2, June 2017
Copyright © 2017 Society for Music Theory
Editor’s Message
Articles
Johann Georg Sulzer’s “Recitativ” and North German Musical Aesthetics: Context, Translation, Commentary
23.2.1
Matthew L. Boyle
(Indiana University)
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs
23.2.2
Mark Spicer
(City University of New York)
Intelligibility Redux: Motets and the Modern Medieval Sound
23.2.3
Anna Zayaruznaya
(Yale University)
Feminist Theory Essays
Rethinking Music Loving
23.2.4
Vivian Luong
(University of Michigan)
Finding Love in Hopeless Places: Complex Relationality and Impossible Heterosexuality in Popular Music Videos by Pink and Rihanna
23.2.5
Marc Lafrance
(Concordia University)
Lori Burns
(University of Ottowa)
Movement, Music, Feminism: An Analysis of Movement-Music Interactions and the Articulation of Masculinity in Tyler, the Creator’s ‘Yonkers’ Music Video
23.2.6
Maeve Sterbenz
(Columbia University)
Subjective (Re)positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers
23.2.7
Marc E. Hannaford
(Columbia University)
“You Too Can Compose”: Ruth Crawford’s Mentoring of Vivian Fine
23.2.8
Rachel L. Lumsden
(Florida State University)
Reviews
Review of Brad Osborn,
Everything in its Right Place: Analyzing Radiohead
(Oxford University Press, 2016)
23.2.9
Brett Clement
(Ball State University)
Review of Edward Klorman,
Mozart’s Music of Friends: Social Interplay in the Chamber Works
(Cambridge University Press, 2016)
23.2.10
Roger Graybill
(New England Conservatory)
Conference Reports
Conference Report: “A Summit of Creativity: A Celebration of the Fiftieth Anniversary of the Beatles’
Sgt. Pepper’s Lonely Hearts Club Band
”
23.2.11
Nicole Biamonte
(McGill University)
Conference Report: “Pedagogy into Practice: Teaching Music Theory in the Twenty-First Century”
23.2.12
Gregory R. McCandless
(Appalachian State University)
MTO Personnel for the Current Volume
Updated November 24 2017
