Volume 26 Number 2, June 2020

Copyright © 2020 Society for Music Theory


Editor’s Message

Articles

Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop
26.2.1
        Kyle Adams (Indiana University)
Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’s Boléro
26.2.2
        Gurminder K. Bhogal (Wellesley College)
Dynamic Range Processing and Its Influence on Perceived Timing in Electronic Dance Music
26.2.3
        Ragnhild Brøvig-Hanssen (University of Oslo)
        Bjørnar E. Sandvik (University of Oslo)
        Jon Marius Aareskjold-Drecker (University of Agder)
Music Theory and the White Racial Frame
26.2.4
        Philip A. Ewell (Hunter College and CUNY Graduate Center)
Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert
26.2.5
        Jonathan Guez (The College of Wooster)
Retrospective Time and the Subdominant Past: Tonal Hermeneutics in Contemporary Broadway Megamusicals
26.2.6
        Kyle Hutchinson (University of Toronto)
Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina
26.2.7
        Noah Kahrs (Eastman School of Music)
Climax Building in Verismo Opera: Archetype and Variants
26.2.8
        Ji Yeon Lee (University of Houston)
Portmantonality and Babbitt’s Poetics of Double Entendre
26.2.9
        Joshua Banks Mailman (Columbia University)
Multi-Strand Musical Narratives: An Introduction
26.2.10
        Judith Ofcarcik (Fort Hays State University)
Reimagining Historical Improvisation: An Analysis of Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012
26.2.11
        Gilad Rabinovitch (Florida State University)
Fanfare as Fulcrum: A Pivotal Event in Max Steiner’s Theme for Warner Brothers
26.2.12
        Brent Yorgason (Brigham Young University)
        Jeff Lyon (Brigham Young University)



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Updated May 01 2020