Volume 27 Number 1, March 2021

Copyright © 2021 Society for Music Theory


Editor’s Message

Articles

Gould’s Creaking Chair, Schoenberg’s Metric Clarity
27.1.1
        Richard Beaudoin (Dartmouth College)
Ravel’s Sound: Timbre and Orchestration in His Late Works
27.1.2
        Jennifer P. Beavers (University of Texas at San Antonio)
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music
27.1.3
        Jose M. Garza Jr. (Texas State University)
Schoenberg’s Cinematographic Blueprint: A Programmatic Analysis of Begleitungsmusik zu einer Lichtspielscene (1929–1930)
27.1.4
        Orit Hilewicz (Eastman School of Music)
Compound AABA Form and Style Distinction in Heavy Metal
27.1.5
        Stephen S. Hudson (University of Richmond)
Cantopop and Speech-Melody Complex
27.1.6
        Edwin K. C. Li (Harvard University)
Rhythmic Techniques in Deaf Hip Hop
27.1.7
        Anabel Maler (University of Iowa)
        Robert Komaniecki (University of Iowa)
Late Night Thoughts on Listening to Schoenberg’s Klavierstück, op. 33a
27.1.8
        Keith Salley (Shenandoah University)

Reviews

Review of The Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings (Oxford University Press, 2019)
27.1.9
        Antares Boyle (Portland State University)
        Rebecca Leydon (Oberlin College and Conservatory)
        Paul Sherrill (University of Utah)
        Jeffrey Swinkin (University of Oklahoma)
Review of Rethinking Reich, Edited by Sumanth Gopinath and Pwyll ap Siôn (Oxford University Press, 2019)
27.1.10
        Orit Hilewicz (Eastman School of Music)




SMT

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Updated March 04 2021