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SMT
Volume 28 Number 1, March 2022
Copyright © 2022 Society for Music Theory
Editor’s Message
Articles
Mixture Strategies: An Analytical Framework for Musical Hybridity
28.1.1
Bruno Alcalde
(University of South Carolina)
Switching the Backbeat: The Quick Flip and Polymetric Pogo in 1980s-era Rock Music
28.1.2
Zachary Cairns
(University of Missouri - St. Louis)
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”
28.1.3
Calder Hannan
(Columbia University)
A Bevy of Biases: How Music Theory’s Methodological Problems Hinder Diversity, Equity, and Inclusion
28.1.4
Justin London
(Carleton College)
Tonal Ebb, Sunken II Chords, and Text-Music Correspondences in Robert Schumann’s Lieder
28.1.5
Alexander Martin
(Stetson University)
Three Audiovisual Correspondences in the Main Title for
Vertigo
28.1.6
Scott Murphy
(University of Kansas)
Was Mesopotamian Tuning Diatonic? A Parsimonious Answer
28.1.7
Jay Rahn
(York University)
Integration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet
28.1.8
Sam Reenan
(Miami University)
Klangfarbenmelodie
in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10
28.1.9
Matthew Zeller
(McGill University)
Review
Review of Drew Nobile,
Form as Harmony in Rock Music
(Oxford University Press, 2020)
28.1.10
Alyssa Barna
(University of Minnesota)
Conference Report
Conference report: “Dialogues: Analysis and Performance”
28.1.11
Ben Duinker
(University of Toronto)
MTO Personnel for the Current Volume
Updated March 12 2022
