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SMT
Volume 28 Number 3, September 2022
Copyright © 2022 Society for Music Theory
Editor’s Message
Articles
Sociable Musicopoetics in Vijay Iyer and Mike Ladd’s
In What Language
28.3.1
Vilde Aaslid
(University of Rhode Island)
George Walker’s Piano Music: Traditional Forms in Tonal, Serial and Atonal Styles
28.3.2
Jack Boss
(University of Oregon)
Gestural Perspectives on Popular-Music Performance
28.3.3
Samuel Gardner
(Oberlin College)
Nicholas J. Shea
(Arizona State University)
Returning to the Continuum: On the Value of Typological Distinctions in the Analysis of Improvisation
28.3.4
Andrew Goldman
(Indiana University)
Reassessing the Plagal Cadence in Byrd and Morley
28.3.5
Megan Kaes Long
(Oberlin College)
A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception
28.3.6
Stephen McAdams
(McGill University)
Meghan Goodchild
(Queen's University)
Kit Soden
(McGill University)
Sound Structures and Naked Fire Gestures in Cecil Taylor’s Solo Piano Music
28.3.7
Mark Micchelli
(University of Pittsburgh)
Teleology in Verse–Prechorus–Chorus Form, 1965–2020
28.3.8
Drew F. Nobile
(University of Oregon)
The
Techne
of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers
28.3.9
William O’Hara
(Gettysburg College)
MTO Personnel for the Current Volume
Updated August 30 2022
