Music Theory Online Volume 30, Number 1

Volume 30 Number 1, March 2024

Editor’s Message

Articles

The Turn in the Finale of Mahler’s Ninth Symphony as Allusion to Wagner’s Parsifal	30.1.1
Genevieve Robyn Arkle (University of Bristol)

Some Proposed Enhancements to the Operationalization of Prominence: Commentary on Michèle Duguay’s “Analyzing Vocal Placement in Recorded Virtual Space”	30.1.2
Trevor de Clercq (Middle Tennessee State University)

Response to Trevor de Clercq’s “Some Proposed Enhancements to the Operationalization of Prominence: Commentary on Michèle Duguay’s ‘Analyzing Vocal Placement in Recorded Virtual Space’”	30.1.3
Michèle Duguay (Harvard University)

Harmonic “Quality” and Set-Class Structure: Schoenberg’s Opus 19, No. 2 Reconsidered	30.1.4
Rajan Lal (University of Cambridge)

Pentatonic Xuangong 旋宮 Transformations in Chinese Music	30.1.5
Nathan L. Lam (Eastman School of Music)

Music from Plant Biosignals: A Conceptual and Analytical Orientation	30.1.6
Paul V. Miller (Duquesne University) Christopher Cox (Duquesne University)

Melodic Organization and Sequential Ordering of Galant Schemata: Implications for Eighteenth-Century European Musicianship	30.1.7
Gilad Rabinovitch (Queens College, CUNY) Aaron Carter-Enyi (Morehouse College)

Diversity in Music Corpus Studies	30.1.8
Nicholas Shea (Arizona State University) Lindsey Reymore (Arizona State University) Christopher Wm. White (UMass Amherst) Leigh VanHandel (University of British Columbia) Ben Duinker (McGill University) Nicole Biamonte (McGill University) Matthew Zeller (Musical Instrument Museum)

Essay

Rethinking Topic Theory: An Essay on the Recent History of a Music Theory	30.1.9
Dylan Principi (Wesleyan University)

Review

Review of Violetta Kostka, Paulo F. de Castro, and William A. Everett, eds., Intertextuality in Music: Dialogic Composition (Routledge, 2021)	30.1.10
Cristina González Rojo (Columbia University)

MTO Personnel for the Current Volume

Updated March 07 2024

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