Society for Music Theory

About MTO

Music Theory Online was launched experimentally in March 1993, after which issues 0.1 through 0.11 were published. Its permanent status was marked in January 1995 with the publication of Volume 1.1. MTO contains articles, commentaries on articles from previous issues, reviews, and essays all related to the field of professional music theory.

MTO is peer reviewed and is indexed in RILM, Music Index, and other periodical indexes. MTO is accessible free of charge through the World-Wide Web. If you value MTO and other free SMT services, please take a few moments to join SMT. Membership grants a number of benefits which non-members do not enjoy.

The Society for Music Theory also publishes the print journal Music Theory Spectrum, which is included in SMT membership.

MTO Personnel

Founding Editor
Lee Rothfarb (University of California, Santa Barbara)
Editor
mto-editor@societymusictheory.org
Yonatan Malin (University of Colorado Boulder)
Nicole Biamonte (McGill University)
Associate Editor
mto-editor@societymusictheory.org
Karen Bottge (University of Kentucky)
Stephen Rodgers (University of Oregon)
Reviews Editors
mto-reviews@societymusictheory.org
Kyle Adams (Indiana University)
Heather Platt (Ball State University)
Editorial Board
Amy Bauer (University of California, Irvine) Ragnhild Brøvig-Hanssen (University of Oslo)
David Clampitt (Ohio State University) Stacey Davis (University of Texas at San Antonio)
Robert Hasegawa (McGill University) Kevin Korsyn (University of Michigan)
Panayotis Mavromatis (New York University, Steinhardt) Jan Miyake (Oberlin College)
Nancy Rao (Rutgers University) Joti Rockwell (Pomona College)
Managing Editor
mto-managing-editor@societymusictheory.org 
Brent Yorgason (Marietta College)
Editorial Assistants
Hunter Ewen (University of Colorado Boulder) Rebecca Flore (McGill University)
David Hier (McGill University) Michael McClimon (Indiana University)
Tahirih Motazedian (Yale University) Cara Stroud (Florida State University)


MTO Policy on Conflicts of Interest. To ensure public trust in the peer review process and credibility of articles and reviews published in Music Theory Online, all participants (reviewers and editors) agree to disclose any relationships that could be perceived as presenting a conflict of interest. In the case of any such disclosed relationship, arrangements for alternate reviewers and/or editors will generally be made. Alternative arrangements may be waived if it is determined that the participant is in an ideal position to engage in robust and informed scholarly dialogue, and if the participant agrees to act in good faith, minimizing any potential conflict.


Thanks are due to the following institutions for generous support:

University of Colorado Boulder (2012- )
Wesleyan University (2011-2012)
Florida State University (2008-2011)
University of Houston (2002-2008)
Indiana University (1999-2002)
The University of California, Santa Barbara (1994-1998)
The Society for Music Theory (1995- )
Harvard University (1992-94)


Prepared by Brent Yorgason, Managing Editor
Updated September 16 2014

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