Music Theory Online

A Journal of Criticism, Commentary, Research, and Scholarship

ISSN 1067-3040

Volume 7, Number 6, December 2001
Copyright � 2001 Society for Music Theory

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Table of Contents

Editor's Comments


Mark J. Butler (Indiana University)

"Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music"

[With Frames] [Without Frames]

Employment Opportunities

New Books

Book Review

Walter T. Everett (University of Michigan)

Review of Richard Middleton, ed., Reading Pop: Approaches to Textual Analysis in Popular Music (Oxford: Oxford University Press, 2000)

[With Frames] [Without Frames]


Calls for Papers

Conference Announcements

Journal-Related Announcements

Other Announcements

Please direct all queries to the MTO Editor or to the MTO Manager

Eric Isaacson (Indiana University)
Editorial Board Reviews Editor
Jane Piper Clendinning (Florida State University)

Jack Boss (University of Oregon)

Patrick McCreless (Yale University) mto-talk Manager
Catherine Nolan (University of Western Ontario)

Jay Rahn (York University)

John Snyder (University of Houston) MTO Manager
Larry Zbikowski (University of Chicago)

Ichiro Fujinaga (Johns Hopkins University)

Full Personnel Listing

Copyright Statement

Copyright � 2001 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

This page prepared by
Eric J. Isaacson, Editor
18 November 2002