Society for Music Theory

Volume 11 Number 1, March 2005

Copyright © 2005 Society for Music Theory

Editor’s Message

Special Issue on Performance and Analysis:
Views from Theory, Musicology, and Performance

Introduction (to the Special Issue on Performance and Analysis)
11.1.1
        Robert S. Hatten (Indiana University)
Prompting Performance: Text, Script, and Meaning in Bryn Harrison’s être-temps
11.1.2
        Nicholas Cook (University of London)
Like Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 17
11.1.3
        William Rothstein (CUNY Graduate Center)
Virtuosity in Babbitt’s Lonely Flute
11.1.4
        Daphne Leong (University of Colorado at Boulder)
        Elizabeth McNutt (University of Colorado at Boulder)
A Postscript on Process
11.1.5
        Elizabeth McNutt (University of Colorado at Boulder)
Response (to the Special Issue on Performance and Analysis)
11.1.6
        Janet Schmalfeldt (Tufts University)
Response to Janet Schmalfeldt’s Response
11.1.7
        Daphne Leong (University of Colorado at Boulder)
        Elizabeth McNutt (University of Colorado at Boulder)

Reviews

Review of Berthold Hoeckner, Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (Princeton University Press, 2002)
11.1.8
        Robert S. Hatten (Indiana University)
Review of Yrjö Heinonen et al., Beatlestudies 3: Proceedings of the BEATLES 2000 Conference (University of Jyväskylä Press, 2001)
11.1.9
        Peter Kaminsky (University of Connecticut)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated June 04 2014