Volume 32 Number 2, June 2026

Copyright © 2026 Society for Music Theory


Editor’s Message

Articles

Examining Minor-Mode Scale Practice
32.2.1
        Jenine L. Brown (The Peabody Conservatory of the Johns Hopkins University)
        Yeonju Lindsey Lee (The Peabody Conservatory of the Johns Hopkins University)
A Comparison of the Accuracy of Two Models for Predicting the Behavior of “Soul Dominants” in the McGill Billboard Corpus
32.2.2
        Stanley Ralph Fink (The University of Alabama)
Changed for Good: Pathways of Motivic and Tonal Development in Wicked
32.2.3
        Kyle Hutchinson (Colgate University)
Memory and Oblivion in the Andante of Brahms’s Second Piano Concerto
32.2.4
        David Keep (Hope College)
“I Raq and Roll”: Signs of War in Post-9/11 Country Music
32.2.5
        Alan Reese (University of Massachusetts Amherst)
Choreomusical Analogies in the Symphonic Minuet
32.2.6
        Olga Sánchez-Kisielewska (University of Chicago)
Revisiting Polymeter: “Veneno Rítmico” and Colombian Currulao
32.2.7
        Lina S. Tabak (Indiana University, Jacobs School of Music)
Reading Singing in Gerbert de Montreuil’s Roman de la Violette
32.2.8
        Matthew P. Thomson (University College Dublin)




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Updated June 01 2026

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