ISSN 1067-3040
All Content © 2010
Society for Music Theory
Society for Music Theory

Volume 16 Number 3, August 2010

Copyright © 2010 Society for Music Theory

Editor’s Message

Articles

After the Harvest: Carter’s Fifth String Quartet and the Late Late Style
16.3.1
        J. Daniel Jenkins (University of South Carolina)
Mode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920–1945
16.3.2
        Nicholas Stoia (Boston, MA)
Noting Images: Understanding the Illustrated Manuscripts of Mendelssohn’s Schilflied and Hindemith’s Ludus Tonalis
16.3.3
        Daniel K. S. Walden (Oberlin College and Conservatory)
Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960
16.3.4
        Keith J. Waters (University of Colorado at Boulder) and J. Kent Williams (University of North Carolina at Greensboro)

Reviews

Review of Matthew Santa, Hearing Form: Musical Analysis With and Without the Score (New York: Routledge, 2010)
16.3.5
        Stephen Rodgers (University of Oregon)
Review of Nicola Dibben, Björk (Bloomington: Indiana University Press, 2009)
16.3.6
        Elise O. Takehana (University of Florida)


MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated December 31 2010

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