Society for Music Theory

Volume 16 Number 3, August 2010

Copyright © 2010 Society for Music Theory

Editor’s Message


After the Harvest: Carter’s Fifth String Quartet and the Late Late Style
        J. Daniel Jenkins (University of South Carolina)
Mode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920–1945
        Nicholas Stoia (Boston, MA)
Noting Images: Understanding the Illustrated Manuscripts of Mendelssohn’s Schilflied and Hindemith’s Ludus Tonalis
        Daniel K. S. Walden (Oberlin College and Conservatory)
Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960
        Keith J. Waters (University of Colorado at Boulder)
        J. Kent Williams (University of North Carolina at Greensboro)


Review of Matthew Santa, Hearing Form: Musical Analysis With and Without the Score (Routledge, 2010)
        Stephen Rodgers (University of Oregon)
Review of Nicola Dibben, Björk (Indiana University Press, 2009)
        Elise O. Takehana (University of Florida)

MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated December 31 2010

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