Society for Music Theory

Volume 20 Number 4, December 2014

Copyright © 2014 Society for Music Theory

Editor’s Message

Articles

From Me To You: Dynamic Discourse in Popular Music
20.4.1
        Matthew L. BaileyShea (Eastman School of Music)
Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works
20.4.2
        Blair Johnston (Indiana University)
Music and Other Sign Systems
20.4.3
        Beate Kutschke (University of Leipzig)
Strophic Modification in Songs by Amy Beach
20.4.4
        Victoria Malawey (Macalester College)

Performance and Analysis: Chopin and Schumann

Performing Expressive Closure in Structurally Open Contexts: Chopin’s Prelude in A minor and the Last Two Dances of Schumann’s Davidsbündlertänze
20.4.5
        Robert S. Hatten (University of Texas at Austin)
On Performing Chopin’s Barcarolle
20.4.6
        David Kopp (Boston University)
Treading Robert Schumann’s New Path: Understanding Declamation in the Late Lieder through Analysis and Recomposition
20.4.7
        Harald Krebs (University of Victoria)

Reviews

Review of Elizabeth Margulis, On Repeat: How Music Plays the Mind (Oxford, 2013)
20.4.8
        Joshua Albrecht (University of Mary Hardin-Baylor)
Review of Bryan R. Simms, ed., Pro Mundo, Pro Domo: The Writings of Alban Berg (Oxford, 2014)
20.4.9
        Dave Headlam (Eastman School of Music)
Review of David Beach, Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form (Routledge, 2012), and accompanying Teacher’s Manual (PDF format)
20.4.10
        Joseph Kraus (Florida State University)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated December 16 2014