Society for Music Theory

Volume 22 Number 1, March 2016

Copyright © 2016 Society for Music Theory

Editor’s Message

Articles

Contour Recursion and Auto-Segmentation
22.1.1
        Aaron Carter-Ényì (Ohio State University)
A System for Describing Vocal Timbre in Popular Song
22.1.2
        Kate Heidemann (Colby College)
Film Music Themes: Analysis and Corpus Study
22.1.3
        Mark Richards (Florida State University)

Commentary

Integration, Diversity, and Creativity: Reflections on the “Manifesto” from the College Music Society
22.1.4
        Jennifer Sterling Snodgrass (Appalachian State University)

Webinar: Monday 6 June at 2pm EDT

Join the conversation at: https://zoom.us/j/510914232

Supplementary material

Reviews

Review of Ron Moy, Authorship Roles in Popular Music: Issues and Debates (Routledge, 2015)
22.1.5
        Robin Attas (Elon University)
Review of Ralf von Appen, André Doehring, Dietrich Helms, and Allan Moore, eds. Song Interpretation in 21st-Century Pop Music (Ashgate, 2015)
22.1.6
        Trevor de Clercq (Middle Tennessee State University)
Review of Thomas Christensen, The Work of Music Theory (Ashgate, 2014)
22.1.7
        Patrick McCreless (Yale University)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated June 05 2016