Society for Music Theory

Volume 22 Number 4, December 2016

Copyright © 2016 Society for Music Theory

Editor’s Message

Articles

Glenn Gould, Spliced: Investigating the Filmmaking Analogy
22.4.1
        Garreth P. Broesche (University of Houston)
Improvisation as a Way of Knowing
22.4.2
        Andrew J. Goldman (Columbia University)
Pitch Properties of the Pedal Harp, with an Interactive Guide
22.4.3
        Mark R. H. Gotham (University of Cambridge)
        Iain A. D. Gunn (Bangor University)
Instruments of Music Theory
22.4.4
        Alexander Rehding (Harvard University)
Text and Temporality: Toward an Understanding of Rhythmic Irregularities in the Music of Tom Waits
22.4.5
        Margaret E. Thomas (Connecticut College)

Reviews

Review of Roger Mathew Grant, Beating Time & Measuring Music in the Early Modern Era (Oxford University Press, 2014)
22.4.6
        Rowland Moseley (New York, NY)
Review of Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin, eds. Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno (University of Rochester Press, 2015)
22.4.7
        Boyd Pomeroy (University of Arizona)
Review of Judy Lochhead, Reconceiving Structure in Contemporary Music (Routledge, 2015)
22.4.8
        Chris Stover (The New School)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated December 19 2016