Music Theory Online

The Online Journal of the Society for Music Theory

Copyright � 1997 Society for Music Theory
Volume 3, Number 4 July, 1997 ISSN 1067-3040

General Editor Editorial Board

Lee Rothfarb (UC Santa Barbara) David Headlam (Eastman School of Music) Justin London (Carleton College) Catherine Nolan (University of Western Ontario)

Reviews Editor Consulting Editors

Brian Alegant Bo Alphonce Thomas Mathiesen (McGill University) Jonathan Bernard Benito Rivera John Clough John Rothgeb Nicholas Cook Arvid Vollsnes Allen Forte Robert Wason Marianne Kielian-Gilbert Gary Wittlich Stephen Hinton

MTO Correspondents

Per Broman, Sweden Nicolas Meeus, Belgium, France Peter Castine, Germany Ken-ichi Sakakibara, Japan Wai-ling Cheong, Hong Kong Roberto Saltini, Brazil Geoffrey Chew, England Michiel Schuijer, Holland Gerold W. Gruber, Austria Uwe Seifert, Germany Henry Klumpenhouwer, Canada Arvid Vollsnes, Norway Marco Renoldi, Italy

Manager Editorial Assistants Music Example Designer MIDI Consultant

Robert Judd Cindy Nicholson William Loewe David Patrick Watts Martin Steffen Nicholas Blanchard Jon Koriagin

HTML and Java Consultant

Bruce Petherick
All queries to the MTO General Editor or to the MTO Manager

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1. Commentaries

Rosemary Killam, Response to Professor Morse's Open Letter
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Justin London, A Different Response to Killam
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2. Reviews

Larry Barnes, Review of J. Kent Williams's Theories and Analyses of Twentieth-Century Music
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William M. Marvin, Review of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training, 2nd ed.
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3. Music Theory International

Per Broman, Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997
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Wai-Ling Cheong, Theory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music
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Nicolas Meeus, Music Theory and Analysis in France and Belgium
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4. Announcements

Society for Seventeenth-Century Music Meeting
International Conference on 19th-century Music
Search Facility for Conferences and Dissertation Abstracts
GAMUT/MTSE: General Announcement
Women and Music: A Journal of Gender and Culture
Music as Heard: Listeners and Listening in Late-Medieval and Early Modern Europe (1300-1600)

5. Employment

Pro-Art Musica (private music school Majorca, Spain): Researcher/Multimedia Developer
Assistant Professor (tenure track), New York University

6. New Dissertations

Dudeque, Norton E. "Tonal Harmony and the Concept of Monotonality in the Writings of Arnold Schoenberg"
Foulkes-Levy, Laurdella. "A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale: Implications for Aural Perception and Cognition"
Gonzales-Lizausaba, Oswaldo. "A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach"
Jacobus-Freund, Suzanne A. "The Art of Development: Development and the Development Section Seen Through the Eyes of Theorists, ca. 1775-1830"
Power, Richard. "An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2"

7. New Books

Harwood Academic Books

Craig Harris, ed. Computer Music in Context
Tom Morgan, ed. Aspects of Complexity in Recent British Music
Klaus-Michael Hinz, ed. New Developments in Contemporary German Music
Nicola Lefanu and Sophie Fuller, eds. Reclaiming the Muse
Trevor Wishart, On Sonic Art
James Boros and Richard Toop, eds. Brian Ferneyhough: Collected Writings
David Blake, ed. Hanns Eisler: A Miscellany
Vladimir Barsky, Chromaticism

University of California Press

Lawrence Kramer, After the Lovedeath: Sexual Violence and the Making of Culture
Judit Frigyesi, Bela Bartok and Turn-of-the-Century Budapest
Walter Frisch, The Early Works of Arnold Schoenberg, 1893-1908
William Kinderman, Beethoven

8. Communications

Editor's Message

Copyright Statement

[1] Music Theory Online (MTO) as a whole is Copyright � 1997, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

This page prepared by
Lee A. Rothfarb, General Editor
July 16, 1997