Volume 16 Number 2, May 2010

Copyright © 2010 Society for Music Theory


Editor’s Message

Articles

Chair’s Introduction to “Form as Process: Celebrating the Work of Janet Schmalfeldt”
16.2.1
        Brenda Ravenscroft (Queen's University)
Becoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth Century
16.2.2
        Carissa Reddick (University of Northern Colorado)
Response to Carissa Reddick
16.2.3
        Janet Schmalfeldt (Tufts University)
A Response to Schmalfeldt’s “Form as Process of Becoming”: Once More on the Performance and Analysis of Schubert’s Sonata in A minor, Op. 42
16.2.4
        Mike Cheng-Yu Lee (Cornell University)
Response to Mike Cheng-Yu Lee
16.2.5
        Janet Schmalfeldt (Tufts University)
Beethoven’s “Tempest” Exposition: A Response to Janet Schmalfeldt
16.2.6
        William E. Caplin (Schulich School of Music, McGill University)
Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata
16.2.7
        James Hepokoski (Yale University)
One More Time on Beethoven’s “Tempest,” From Analytic and Performance Perspectives: A Response to William E. Caplin and James Hepokoski
16.2.8
        Janet Schmalfeldt (Tufts University)


Reviews

Review of David Temperley, Music and Probability (MIT Press, 2007)
16.2.9
        David Casacuberta (Universitat Autònoma de Barcelona)
Review of Pieter Bergé ed., Beethoven’s Tempest Sonata: Perspectives of Analysis and Performance (Peeters, 2009)
16.2.10
        David Damschroder (University of Minnesota)



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