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SMT
Volume 17 Number 3, October 2011
Copyright © 2011 Society for Music Theory
Editor’s Message
Articles
Special Issue: (Per)Form in(g) Rock
Introduction
17.3.1
Nicole Biamonte
(McGill University)
The Structure, Function, and Genesis of the Prechorus
17.3.2
Jay Summach
(Yale University)
Rockin’ Out: Expressive Modulation in Verse-Chorus Form
17.3.3
Christopher Doll
(Rutgers, The State University of New Jersey)
Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres
17.3.4
Brad Osborn
(DePauw University)
Guitar Voicing in Pop-Rock Music: A Performance-Based Analytical Approach
17.3.5
Timothy Koozin
(University of Houston)
Burning Bridges: Defining the Interverse in the Music of U2
17.3.6
Christopher Endrinal
(University of Massachusetts, Lowell)
Sarah Setting the Terms: Defining Phrase in Popular Music
17.3.7
Robin Attas
(University of British Columbia)
Form and Voice Leading in Early Beatles Songs
17.3.8
Drew F. Nobile
(CUNY Graduate Center)
(Per)Form in(g) Rock: A Response
17.3.9
Mark Spicer
(Hunter College and the Graduate Center, CUNY)
Reviews
Review of Dmitri Tymoczko,
A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice
(Oxford University Press, 2011)
17.3.10
Julian Hook
(Indiana University)
Review of Danuta Mirka,
Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791
(Oxford University Press, 2009)
17.3.11
Harald Krebs
(University of Victoria)
Review of Janet Schmalfeldt:
In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music
(Oxford University Press, 2011)
17.3.12
Seth Monahan
(Eastman School of Music)
Review of Ryan McClelland,
Brahms and the Scherzo: Studies in Musical Narrative
(Ashgate, 2010)
17.3.13
Samuel Ng
(College-Conservatory of Music, University of Cincinnati)
MTO Personnel for the Current Volume
Updated November 25 2017