Music Theory Online Volume 17, Number 3

Volume 17 Number 3, October 2011

Editor’s Message

Articles

Special Issue: (Per)Form in(g) Rock

Introduction	17.3.1
Nicole Biamonte (McGill University)

The Structure, Function, and Genesis of the Prechorus	17.3.2
Jay Summach (Yale University)

Rockin’ Out: Expressive Modulation in Verse-Chorus Form	17.3.3
Christopher Doll (Rutgers, The State University of New Jersey)

Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres	17.3.4
Brad Osborn (DePauw University)

Guitar Voicing in Pop-Rock Music: A Performance-Based Analytical Approach	17.3.5
Timothy Koozin (University of Houston)

Burning Bridges: Defining the Interverse in the Music of U2	17.3.6
Christopher Endrinal (University of Massachusetts, Lowell)

Sarah Setting the Terms: Defining Phrase in Popular Music	17.3.7
Robin Attas (University of British Columbia)

Form and Voice Leading in Early Beatles Songs	17.3.8
Drew F. Nobile (CUNY Graduate Center)

(Per)Form in(g) Rock: A Response	17.3.9
Mark Spicer (Hunter College and the Graduate Center, CUNY)

Reviews

Review of Dmitri Tymoczko, A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice (Oxford University Press, 2011)	17.3.10
Julian Hook (Indiana University)

Review of Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (Oxford University Press, 2009)	17.3.11
Harald Krebs (University of Victoria)

Review of Janet Schmalfeldt: In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (Oxford University Press, 2011)	17.3.12
Seth Monahan (Eastman School of Music)

Review of Ryan McClelland, Brahms and the Scherzo: Studies in Musical Narrative (Ashgate, 2010)	17.3.13
Samuel Ng (College-Conservatory of Music, University of Cincinnati)

MTO Personnel for the Current Volume

Updated November 25 2017

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