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SMT
Volume 19 Number 4, December 2013
Copyright © 2013 Society for Music Theory
Editor’s Message
Articles
Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’s
Rodelinda
19.4.1
Gregory J. Decker
(Bowling Green State University)
Hollywood Cadences: Music and the Structure of Cinematic Expectation
19.4.2
Frank Lehman
(Tufts University)
A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009
19.4.3
Steven Rings
(University of Chicago)
Crossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”: The Role of Jazz Improvisation in the Transformation of an Intertext
19.4.4
René Rusch
(McGill University)
Reviews
Review of Dora Hanninen,
A Theory of Music Analysis: On Segmentation and Associative Organization
(University of Rochester Press, 2012)
19.4.5
Zachary Bernstein
(City University of New York, Graduate Center)
Review of Allan Moore,
Song Means: Analyzing and Interpreting Recorded Popular Song
(Ashgate, 2012)
19.4.6
Christopher Endrinal
(Florida Gulf Coast University)
Review of Matthew Bribitzer-Stull,
Anthology for Analysis and Performance
(Oxford University Press, 2014)
19.4.7
Mary Wennerstrom
(Indiana University)
Conference Report
Conference Report: Inaugural Meeting of the Russian Society for Music Theory (OTM)
19.4.8
Philip A. Ewell
(Hunter College and CUNY Graduate Center)
MTO Personnel for the Current Volume
Updated November 25 2017
