Music Theory Online Volume 24, Number 1

Volume 24 Number 1, March 2018

Editor’s Message

Articles

Scriabin’s Atonal Problem	24.1.1
Inessa Bazayev (Louisiana State University)

Gendered Power Relationships in Mashups	24.1.2
Christine Boone (University of North Carolina Asheville)

Key Profiles in Bruckner’s Symphonic Expositions: “Ein Potpourri von Exaltationen”?	24.1.3
Nathan Pell (The Graduate Center, City University of New York)

Thomas Campion’s “Chordal Counterpoint” and Tallis’s Famous Forty-Part Motet	24.1.4
Peter N. Schubert (McGill University)

Plenary Session from the 40th Annual Meeting of the Society for Music Theory

Stepping Out: Hearing Balanchine	24.1.5
Gretchen Horlacher (Indiana University)

Music’s Stubborn Enchantments (and Music Theory’s)	24.1.6
Steven Rings (University of Chicago)

Chasing the Phantom: Features of a Supracultural New Music	24.1.7
Michael Tenzer (University of British Columbia)

Reviews

Review of Eric Wen, Structurally Sound: Seven Musical Masterworks Deconstructed (Dover Publications, 2017)	24.1.8
Michael Baker (University of Kentucky)

Review of Christopher Doll, Hearing Harmony: Toward a Tonal Theory for the Rock Era (University of Michigan Press, 2017)	24.1.9
Trevor de Clercq (Middle Tennessee State University)

Review of Severine Neff, Maureen Carr, and Gretchen Horlacher, eds., with John Reef, The Rite of Spring at 100 (Indiana University Press, 2017)	24.1.10
Don Traut (University of Arizona)

MTO Personnel for the Current Volume

Updated March 29 2018

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