Music Theory Online Volume 31, Number 1

Volume 31 Number 1, March 2025

Editor’s Message

Beyond Strophic: Prolonged Refrains, Choruses, and Bridges in the Blues, 1923–1966	31.1.1
David S. Carter (Loyola Marymount University)

György Ligeti’s Chamber Concerto in the Light of the Article “. . . how time passes . . .” by Karlheinz Stockhausen	31.1.2
Benjamin Lavastre (McGill University)

Redrawing Analytical Lines	31.1.3
Vivian Luong (University of Oklahoma)

Dreams Realized: Expression and Polystylism in the Art Song Settings of Langston Hughes’s “Dream Variation” by Florence Price and Margaret Bonds	31.1.4
Sarah Marlowe (Eastman School of Music) Charity Lofthouse (Hobart and William Smith Colleges)

“Cueing” Your Playlist: Texture and Teleology in Post-Millennial Pop	31.1.5
Emily Schwitzgebel (Northwestern University)

Theoretical/Theological Revelations: Reflections on Three Songs from G.E.M.’s Revelation	31.1.6
Xieyi (Abby) Zhang (Georgia State University)

MTO Personnel for the Current Volume

Updated March 17 2025

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