Music Theory Online Volume 25, Number 4

Volume 25 Number 4, December 2019

Editor’s Message

Articles

Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major	25.4.1
Jennifer P. Beavers (The University of Texas at San Antonio)

Three Multifaceted Compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo”	25.4.2
Barbara Bleij (Conservatorium van Amsterdam)

Plateau Loops and Hybrid Tonics in Recent Pop Music	25.4.3
Ben Duinker (McGill University)

On the Russian Concept of Lād, 1830–1945	25.4.4
Philip Ewell (Hunter College and CUNY Graduate Center)

Challenging Some Misconceptions about the Règle de l’octave	25.4.5
Patrice Nicolas (Université de Moncton)

Review

Review-Essay on Suzannah Clark and Alexander Rehding, eds., Music in Time: Phenomenology, Perception, Performance (Harvard University Press, 2016)	25.4.6
Judy Lochhead (Stony Brook University)

Conference Report

Conference Report: “Come Together: Fifty Years of Abbey Road”	25.4.7
Timothy Koozin (University of Houston)

MTO Personnel for the Current Volume

Updated December 30 2019

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