Society for Music Theory

Volume 20 Number 2, June 2014

Copyright © 2014 Society for Music Theory

Editor’s Message

Articles

Formal Functions of Metric Dissonance in Rock Music
20.2.1
        Nicole Biamonte (McGill University)
Combination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier’s Bouchara
20.2.2
        Bryan Christian (Duke University)
Unpacking the Box in Frescobaldi’s Ricercari of 1615
20.2.3
        Massimiliano Guido (McGill University)
        Peter Schubert (McGill University)
Asking Questions / Making Music: Listening, Analysis, and Cage
20.2.4
        Dora A. Hanninen (University of Maryland)
Total Voice Leading
20.2.5
        Joseph N. Straus (Graduate Center, City University of New York)
Dissonant Harmony and “Seed-Tones”: Organicism in the Piano Music of Dane Rudhyar
20.2.6
        Michael K. Trinastic (Durham, NC)
Genus, Species and Mode in Vicentino’s 31-tone Compositional Theory
20.2.7
        Jonathan Wild (McGill University)

Review

Review of S. Alexander Reed, Assimilate: A Critical History of Industrial Music (Oxford University Press, 2013)
20.2.8
        David Heetderks (Oberlin Conservatory)

Conference Report

“Musical Form: Mapping the Territories”: A Conference Report
20.2.9
        Edward Klorman (Queens College, CUNY)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated June 10 2014