| Author |
Title |
Institution |
Completed |
Momii, Toru
| Music Analysis and the Politics of Knowledge Production : Interculturality in the Music of Honjoh HidejirÅ, Miyata Mayumi, and Mitski | Columbia University | July 2021 | Babyak, Tekla B
| Nietzsche, Debussy, and the Shadow of Wagner | Cornell University | May 2014 | Reenan, Sam
| Analytical Problems of Aesthetics, Genre, and Large-Scale Form in Germanic Music, 1905–15 | Eastman School of Music, University of Rochester | May 2021 | Donaldson, James
| Topics, Form, and Expression in the Music of György Ligeti and Thomas Adès | McGill University | May 2021 | Hosken, Fred
| The Pocket: A Theory of Beats as Domains | Northwestern University | August 2021 | Reymore, Lindsey
| Empirical approaches to timbre semantics as a foundation for musical analysis | Ohio State University | April 2020 | Whitelaw, Bryan A.
| Franz Liszt's Sonata Narratives: Large-Scale Forms at the Weimar Court | Queen's University Belfast | July 2021 | Williams, Matt
| Beethoven’s Egmont, Count Egmont: An Imaginary Reading of Beethoven’s Overture | SUNY - University at Buffalo | February 2021 | Prosser, Simon KS
| A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality | The Graduate Center, The City University of New York | May 2021 | Antonella Di Giulio
| Mapping Contemporary Works:
a Semiotic and Linguistic Approach to Music Analysis | University at Buffalo | August 2021 | Adams, George W
| Listening to Conceptual Music: Technology, Culture, Analysis | University of Chicago | May 2019 | Lyons, Megan E.
| Unsung: A Corpus Study on the Art Songs of Amy Beach | University of Connecticut | May 2022 | Wolfe, Daniel R
| Popular but Disparaged: Sonata Structures in Tchaikovsky’s Symphonies Four, Five, and Six | University of Houston | May 2020 | Ferrandino, Matthew
| A Narratology of Music Video | University of Kansas | March 2021 | Orosz, Jeremy W
| Translating Music Intelligibly:
Musical Paraphrase in the Long 20th Century | University of Minnesota | December 2013 | Dobbs, Benjamin M.
| A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae | University of North Texas | August 2015 | Boyd, Clifton
| Keep It Barbershop: Stylistic Preservation and Whiteness in the Barbershop Harmony Society | Yale University | May 2022 |
