| Author |
Title |
Institution |
Completed |
Morrison, Landon
| "Sounds, Signals, Signs: Transductive Currents in Post-Spectral Music at IRCAM" | McGill University, Schulich School of Music | January 2020 | Hoch, Matthew
| "The Structural and Dramatic Role of the Piano in Richard Strauss's Krämerspiegel, Op. 66" | New England Conservatory | December 2006 | Adams, Kyle
| A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century | CUNY Graduate Center | September 2006 | Lee, Dickie C.
| An Agential Exploration of Tragedy and Irony in Post-1945 Orchestral Works | Florida State University | March 2017 | Geary, David
| Analyzing Drums and Other Beats in Twenty-First Century Popular Music | Indiana University | December 2019 | Kovaciny, Stephen M.
| Chabanon, Rameau, and the Listening Body in Early Modern France | University of Wisconsin–Madison | November 2019 | Lukas Gabric
| Coltrane Plays the Blues: Multi-Level Coherence and Stylistic Tendencies | The CUNY Graduate Center | September 2020 | Smither, Sean R
| Conceptualizing Tunes: Avant-textes, Referents, and the Analysis of Musical Structure in Jazz | Rutgers University | May 2020 | Falch, Niels
| From Oy to Joy: Jewish Musical Style in American Popular Songs, 1892-1945 | University of Groningen | May 2020 | Acevedo, Stefanie
| Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and their Mental Representations | Yale University | May 2020 | Jedlicka, Jason R.
| Interpreting Steve Reich's Later Music (2007-2012) | Indiana University | November 2018 | Ferguson, Brent A
| Intertextuality in Movie Music Videos | University of Kansas | June 2020 | Hannaford, Marc E
| One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams | Columbia University | June 2019 | Baysal, Ozan
| Phrase Rhythm and Time in Beste-i Kadims - A Cyclical Approach | Istanbul Technical University | October 2011 | Siu, Joseph Chi-Sing
| Phrase-Rhythmic Norms in Haydn’s and Mozart’s Piano Sonata Expositions | Eastman School of Music | April 2020 | DeVlieger, Dana L
| Promoting Creativity: How the Use of Music Analysis Affects Value Judgments in Copyright Litigation | University of Minnesota | June 2020 | Lam, Nathan L.
| RELATIVE DIATONIC MODALITY IN EXTENDED COMMON-PRACTICE MUSIC | Indiana University, Bloomington | July 2019 | Drozzina, Aleksandra
| Schnittke, Gubaidulina, and Pärt: Religion and Spirituality during the Late Thaw and Early Perestroika | Louisiana State University | May 2020 | Guez, Jonathan
| Schubert's Recapitulation Scripts | Yale University | March 2015 | White, Christopher Wm.
| Some Statistical Properties of Tonality, 1650-1900 | Yale University | May 2014 | Warrenburg, Lindsay A.
| Subtle Semblances of Sorrow: Exploring Music, Emotional Theory, and Methodology | Ohio State University | December 2019 | Moreira, Daniel
| TEXTURAL DESIGN: A Compositional Theory for the Organization of Musical Texture | Federal University of Rio de Janeiro | October 2019 | Wiehl, Lindsey L
| The Bassoon Music of Gordon Jacob: An Analysis of the Concerto for Bassoon and Strings and the Partita for Solo Bassooon | Ball State University | May 2020 | Mayr, Desirée J
| The Identification of Developing Variation in Johannes Brahms OP.78 and Leopoldo Miguéz OP.14 Violin Sonatas Through Derivative Analysis
| Federal University of Rio de Janeiro | July 2018 | Seltzer, Linda, A.
| The Unblinking Eye, Literary Theory in the Analysis of Debussy's Pelleas et Melisande | Princeton University | unspecified | Remeš, Derek K.
| Thoroughbass, Chorale, and Fugue: Teaching the Craft of Composition in J. S. Bach's Circle | Hochschule für Musik Freiburg (Germany) | July 2020 | Blustein, Nathan B
| Through Arrangements of Shadows: Experiences of Reprise in Stephen Sondheim’s Leitmotivic Musicals | Indiana University | August 2020 | Laurence Sinclair Willis
| When Materials Collide: Formal Interplay in Teernary Piano Works of the Late Nineteenth Century | McGill University | November 2019 |
