Music Theory Online Volume 10, Number 3

Volume 10 Number 3, September 2004

Editor’s Message

Articles

Sublimating Sharp $\hat{4}$ : An Exercise in Schenkerian Energetics	10.3.1
Frank Samarotto (Indiana University)

An Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space	10.3.2
Nick Collins (University of Cambridge)

Continuous Transformations	10.3.3
Clinton Callender (Florida State University)

Commentaries

Models for Chord Doubling (and Spacing): Which Ones Don’t We Need?	10.3.4
Roger Wibberley (Goldsmiths University of London)

Rules for Chord Doubling (and Spacing): A Reply To Wibberley	10.3.5
Paul T. von Hippel (Ohio State University) Bret Aarden (Ohio State University)

Reviews

Review of Annette Richards, The Free Fantasia and the Musical Picturesque: New Perspectives in Music History and Criticism (Cambridge University Press, 2001)	10.3.6
Damian Espinosa (University of Chicago)

Binary Oppositions in Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis	10.3.7
Edward D. Latham (Temple University)

MTO Personnel for the Current Volume

Updated November 25 2017

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