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SMT
Volume 10 Number 3, September 2004
Copyright © 2004 Society for Music Theory
Editor’s Message
Articles
Sublimating Sharp
4
̂
: An Exercise in Schenkerian Energetics
10.3.1
Frank Samarotto
(Indiana University)
An Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space
10.3.2
Nick Collins
(University of Cambridge)
Continuous Transformations
10.3.3
Clinton Callender
(Florida State University)
Commentaries
Models for Chord Doubling (and Spacing): Which Ones Don’t We Need?
10.3.4
Roger Wibberley
(Goldsmiths University of London)
Rules for Chord Doubling (and Spacing): A Reply To Wibberley
10.3.5
Paul T. von Hippel
(Ohio State University)
Bret Aarden
(Ohio State University)
Reviews
Review of Annette Richards,
The Free Fantasia and the Musical Picturesque: New Perspectives in Music History and Criticism
(Cambridge University Press, 2001)
10.3.6
Damian Espinosa
(University of Chicago)
Binary Oppositions in Arnold Whittall,
Exploring Twentieth-Century Music: Tradition and Innovation
(Cambridge University Press, 2003) and Their Implications for Analysis
10.3.7
Edward D. Latham
(Temple University)
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