Volume 15 Number 1, March 2009

Copyright © 2009 Society for Music Theory


Editor’s Message

Articles

Introduction  
15.1.1
        John Roeder (University of British Columbia)
Metaphors in Motion: Agents and Representation in Transformational Analysis
15.1.2
        Robin Attas (University of British Columbia)
Constructing Transformational Signification: Gesture and Agency in Bartók’s Scherzo, Op. 14, No. 2, measures 1–32
15.1.3
        John Roeder (University of British Columbia)
An Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 3
15.1.4
        Stephanie Lind (Queen's University)
Sonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 6
15.1.5
        Mustafa Bor (University of Alberta)
Transformational Distance and Form in Berg’s “Schlafend trägt man mich”
15.1.6
        Stephanie Lind (Queen's University)
        John Roeder (University of British Columbia)
Moving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions
15.1.7
        Scott Alexander Cook (University of British Columbia)
A Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen”
15.1.8
        John Roeder (University of British Columbia)

Reviews

Review of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge University Press, 2007)
15.1.9
        Jack Boss (University of Oregon)
Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint” (The Scarecrow Press, 2005)
15.1.10
        Don Traut (University of Arizona)



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Updated November 25 2017