Music Theory Online Volume 20, Number 2

Volume 20 Number 2, June 2014

Editor’s Message

Articles

Formal Functions of Metric Dissonance in Rock Music	20.2.1
Nicole Biamonte (McGill University)

Combination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier’s Bouchara	20.2.2
Bryan Christian (Duke University)

Unpacking the Box in Frescobaldi’s Ricercari of 1615	20.2.3
Massimiliano Guido (McGill University) Peter Schubert (McGill University)

Asking Questions / Making Music: Listening, Analysis, and Cage	20.2.4
Dora A. Hanninen (University of Maryland)

Total Voice Leading	20.2.5
Joseph N. Straus (Graduate Center, City University of New York)

Dissonant Harmony and “Seed-Tones”: Organicism in the Piano Music of Dane Rudhyar	20.2.6
Michael K. Trinastic (Durham, NC)

Genus, Species and Mode in Vicentino’s 31-tone Compositional Theory	20.2.7
Jonathan Wild (McGill University)

Review

Review of S. Alexander Reed, Assimilate: A Critical History of Industrial Music (Oxford University Press, 2013)	20.2.8
David Heetderks (Oberlin Conservatory)

Conference Report

“Musical Form: Mapping the Territories”: A Conference Report	20.2.9
Edward Klorman (Queens College, CUNY)

MTO Personnel for the Current Volume

Updated November 24 2017

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