Volume 28 Number 2, June 2022

Copyright © 2022 Society for Music Theory


Editor’s Message

Articles

Billy Joel’s Enharmonic Duplicity
28.2.1
        Andrew Aziz (San Diego State University)
Xenakis’ Sieve Theory: A Remnant of Serial Music?
28.2.2
        José L. Besada (Complutense University of Madrid)
Becoming and Disintegration in Wolfgang Rihm’s Fifth String Quartet, Ohne Titel
28.2.3
        David Hier (University of Texas at Austin)
Cadential Melodies: Form-Functional Taxonomy and the Role of the Upper Voice
28.2.4
        Kyle Hutchinson (University of Toronto)
        Matthew Poon (University of Toronto)
Rotational Principle as Teleological Genesis in the “Annunciation of Death” Scene from Wagner’s Die Walküre
28.2.5
        Ji Yeon Lee (University of Houston)
An Idiom of Melodic-Harmonic Divorce: Sub-Circle Motion in Popular Music
28.2.6
        S. Alexander Reed (Ithaca College)
Emotional Tones and Emotional Texts: A New Approach to Analyzing the Voice in Popular Vocal Song
28.2.7
        Kristal Spreadborough (University of Melbourne)
The Poetics and Politics of Ambiguity: Overtone Structures and Equal Temperament in Works by Julian Anderson and Rand Steiger
28.2.8
        Alex Stephenson (University of California San Diego)
Codetta and Anthem Postchorus Types in Top-40 Pop from 2010 to 2015
28.2.9
        Cara Stroud (Michigan State University)
Analyzing Vocables in Rap: A Case Study of Megan Thee Stallion
28.2.10
        Zachary Wallmark (University of Oregon)

Essay

The Many Paths of Decolonization: Exploring Colonizing and Decolonizing Analyses of a Tribe Called Red’s “How I Feel”
28.2.11
        Robin Attas (University of Manitoba)

Review

Review of Joel Lester, Brahms’s Violin Sonatas: Style, Structure, Performance (New York: Oxford University Press, 2020)
28.2.12
        David Keep (Hope College)



SMT

MTO Personnel for the Current Volume

Updated June 02 2022